Dälek, who have been “mixing the searing political rhetoric of Public Enemy, the suffocating shoegaze textures of My Bloody Valentine and the primal appeal of squealing industrial noise” for over 18 years (Rolling Stone), stream their new album, Endangered Philosophies (Sept.1, Ipecac Recordings) via NPR (http://www.npr.org/2017/08/24/545530932/first-listen-d-lek-endangered-philsophies). “Endangered Philosophies is Dälek’s signature sound pushed in new directions,” explains MC Dälek. “It is a very introspective record about very external forces. This isn’t about one listen… it’s about your evolving perception when you immerse yourself in the layers of sounds and words. Endangered Philosophies...
Jesse “Street Angel” Sanchez knows the pressure of being the girl who always saves the day. It’s just who she is. But when she and her friends find a powerful alien artifact, they learn that being a superhero is not all fun and games. Is this an extraterrestrial plot to destroy their middle school friendship or a gift from above that Jesse can pawn for a hot dog?
In a flash, the Marvel heroes are offered a gift: to stand shoulder to shoulder with those who came before them! Today, Marvel release GENERATIONS: THE THUNDER written by Jason Aaron with art by Mahmud Asrar. In this new and exciting story, Jane Foster meet a version of Thor she’s never met before – one who has not yet picked up the hammer.
Straight from the second season of Daredevil, Netflix is unveiling the first look at the upcoming series “The Punisher” staring Jon Bernthal. Punisher is the latest addition to Netflix library of Marvel Superhero shows which include Daredevil, Jessica Jones, Luke Cage and Iron Fist. Punisher premieres late in 2017 on Netflix.
San Diego natives FOR THE WIN have delivered “Us Versus Them,” the fourth video from their upcoming album Heavy Thoughts, set for release this Friday, August 25th. The song kicks off the new album with its immediate callout, “This is a song for the beaten and broken!’ and skyrockets FOR THE WIN’s singalong, pile-on, aggressive guitar driven pop into mosh pits (and speakers) worldwide.
I’ve had Anathema’s Alternative 4 on my iTunes for as long as I can remember. Seriously, it has been there for an undisclosed amount of time and I have enjoyed that album time and time again over the years. It’s a product of where the band was mentally at the time, a phase in which they’ve evolved from, but there’s a certain quality to the music that makes it feel like the start of something, where it’s perhaps the band entirely leaving their doom metal roots and evolving into the progressive, symphonic, alternative rock outfit they’ve become. Yet nearly 20 years since that album’s debut, however, Anathema have only ascended as musicians, and if their dramatic return to New York City was a testament...
