It’s the series you’ve been waiting for! Seen everywhere from TIME, Good Morning America, Entertainment Weekly and more – the character talked about the world over is making her solo series debut this November! Today, Marvel is proud to present your first look inside INVINCIBLE IRON MAN #1 – the new series launching as part of Marvel NOW!.
Very few bands can get away with everything Darkthrone has done musically. Starting as death metal band and then becoming shortly after one of the many faces of the second wave of black metal bands in Norway, the band has (Excuse the pun) manifested a cult following in their career, with no shortage of albums and releases to keep their fans waiting. Twenty-five years after the release of Soulside Journey, Darkthrone are giving their fans Arctic Thunder, their 16th studio album and one that should resonate with fans of their older material more than their recent output.
Dark Essence Records will release the sixth full-length studio offering from Norwegian avant metal collective, MADDER MORTEM later this month. Titled Red In Tooth And Claw, the ten-track production – their first in seven years — was recorded and produced by guitarist BP M. Kirkevaag, mastered by Peter In de Betou and comes shrouded in the artwork of Christian Ruud (Tristania, Frantic Bleep). In advance of its release, No Clean Singing is streaming opening hymn, “Blood On The Sand” noting simply, “Always a band that has seemed to skirt genre classification, this track will continue them down that path while also sounding very MADDER MORTEM-esque. I’m not going to say...
Actor Norman Reedus, better known as Daryl Dixon on “The Walking Dead,” joined Anthrax on stage last night at the Tabernacle in Atlanta, jamming on guitar during the band’s classic “Indians.” Anthrax’s Frank Bello and Scott Ian are both huge fans of the show – in 2015, Ian appeared in an episode playing one of the zombies, and unfortunately met a horrible demise with a metal pole through his head.
Motograter have signed to EMP LABEL GROUP, who will release Desolation, the bands highly-anticipated sophomore album, produced by Ahrue Luster (Ill Nino/Ex-Machine Head) and mixed by Joshua Wickman (Within the Ruins, KING 810). The album was engineered by Luster, Wickman, and Jon Berrier, and recorded at Illustrious Productions, Dreadcore Productions, and BlackPlate Productions.
We’re still arguing about this, aren’t we? Death metal Opeth against prog rock Opeth. Fighting aside, Opeth are rooted in prog and that’s always been extremely evident. Getting older and playing death metal can be difficult, and playing it day after day on tour? That’s understandable. Plus, switching to prog rock prolongs the career of the band, with many of the bands from the 70’s still performing today. Opeth made a conscious decision on Heritage to make the genre switch, but Sorceress seems to be where they have it down.
