There is a really good chance your first “black metal” band was Dimmu Borgir, and it was probably “Progenies of the Great Apocalypse” that shocked and surprised you because it wasn’t your average metal band. I’m not saying this is verbatim your situation, but there’s a good chance you fit somewhere in this situation. But, essentially, this is where I found myself in 8th or 9th grade, and a lot of people were in the same situation as I when that Nordic metal scene became larger than just the UK and America. Eight years after their last album, however, and many years of silence, Dimmu Borgir have returned, and things certainly are different than they were before.